Academie Duello

School of Modern Swordplay

A link from Freelance Academy Press

We're quite fortunate in Vancouver to have a raft of instructors to teach us the art we're so passionate about. Not everyone has this and still want to practice.

Freelance Academy Press has released several translations of various fencing masters from which to study. We carry many (if not all) in our store and our on-line store. But we don't have a how-to guide on using learning from these books. While the translations are both clear and accessible they can still pose some challenges in learning.

Fortunately the folk down at Freelance bought out this blog post on learning from manuals.   

A Timely Review: The Knightly Art of Battle

There was a moment of serendipity on Friday when a shipment of new books arrived for the store, almost at the same time that Academie Duello's delightful patron, Major Wes, put a review of the same book up on the school message board. You all know Wes as the dutiful contributor who combs the internet for any and all sword-related press, providing us with a weekly rundown every Monday. What you may not know is that he also supplies the Academie Duello membership with regular book reviews on WMA-related titles.

Here's his review:

Mondschein, K.  The Knightly Art of Battle.  J. Paul Getty Trust.  Los Angeles, CA. 2011.  128 pp.

{From the Academie Duello Library, out with the Bookmobile until mid-February}

Sometimes, just sometimes, on a nice summer day one likes to sit quiet by the street side alone at a wee Bistro table, sipping at their London Fog with your mind in neutral and watching pretty things.  This book qualifies as the `pretty thing'.

Ken Mondschein has edited the most complete of Fiore's `The Flower of Battle' medieval manuscripts to produce this gorgeously reproduced selection of some of the better or more interesting plates.  And as an added bonus, most plates are accompanied by short descriptive texts written by a modern scholar who knows and `fights' his subject!  In the editors own words: "This book is not meant as an exhaustive guide to the martial system of Fiore dei Liberi, nor as a full scholarly exploration of his work and its meaning in a historical context.  Rather, it is intended to serve as a visual tour of the Getty manuscript …" p. 21

What do you get out of this work?

"Fiore does not address such basic subjects as how to parry, feint, or strike – subjects that any modern fencing master would recognise as fundamental to teaching someone how to fence.  Nor does he attempt to explain an overall theory of fencing.  Rather, his work, like other medieval fencing books, was originally intended as a memorial, a reminder of teachings that would have been transmitted in person to select individuals."  pp 18-19. 

{This `Fechtbuch' is not a how-to manual.  You could not pick it up and learn by reading how to fight.  It is however, an aide-memoire to jog your memory about what you learned in person with a Master at Arms and perhaps it will recommend additions to, or amendments of, basic fighting moves that you were already familiar with and practised in

Page 60 – Throwing your sword!  Yay!! {Wait … I've thrown away my weapon again!  Boo!!}

Page 121 – Don't throw your sword … throw a big stick instead – then stab him!  {Double yay!!}

Plus, all sort of sword and wrestling guards, proper use of hafted weapons and weapons on horseback, and `aim here' drawings that are useful for both the advanced student (here is how to do this move properly) and the lay-person (See, this is what the WMA is all about). The most significant advantage of these representations is that you are always aware of who is making the `attack, receiving the attack or countering the attack.  This is a near perfect work for you and your peers to discuss the finer points of a lesson over a post workout London Fog … or a beer!

If you want to check out this beautiful book for yourself, we've now got copies in the store. Do consider picking one up, as I have heard rumours that if the Getty Museum sells enough copies of this, they'll consider putting out a full translation of the entire book!

Now available in person or online for only $14.95+Tax!

Knightly_art_of_battle
 

Filed under  //   longsword   store  

Bartitsu 28-Jan-2012

This week in Bartitsu:

The Introduction to Bartitsu workshop: Fight Like Sherlock Holmes

Then, the ongoing class, featuring:
1. Jujitsu review: Standing locks and holds
2. Cane lesson: Bayonnet drills
3. Integration: Locks and disarms with the walking stick

Don't miss it!

All Things Shiny and New

"Armour, n.The kind of clothing worn by a man whose tailor is a blacksmith." - Ambroise Pierce, The Devil's Dictionary

Armouring Winter Course Begins

Sunday, February 5, 2012 10am-2pm

 

Make hardened leather armour to suit your specific needs! The six week winter armouring course is considered 'open' meaning you decide what you want to make!

Gorget - $115 + HST

Shoulders - $150 + HST

Arms - $215 + HST

Shoulders & Arms - $300 + HST

Torso - $325 + HST

Legs - $215 + HST

All basic materials are included in the price. Special requests (dye, etc) can be given to the instructor on the first day of class and be paid for separately.

No prior experience necessary. Please register either in person or over the phone during operating hours (Mon-Fri 10am-9pm and Sat 10am-5pm) at 604-568-9907 and please specify what you would like to do.

"I shoot an arrow into the air, where it lands I do not care. I get my arrows wholesale." - Curly Howard

Archery Program Launch

First day of class: February 5, 2012 5:30pm-7:30pm

Open Range: Sundays from 3:30pm-5:30pm

Academie Duello is very pleased to annouce the launch of the full Archery Program. Archery classes will be every week on Sundays from 3:30pm-6:30pm. For questions about eligibility or specific bow/arrow requirements or restrictions, please contact the head instructor at lykopisarchery@gmail.com, for all other questions or to register please give us a call at 604-568-9907 during business hours.

"For its merit I will knight it, then it will be Sir Loin." - Charles II

Spring Break Knight Camps

Week of March 12-16 2012 10am-3:30pm daily

Week of March 19-23 2012 10am-3:30pm daily

A week of knightly adventures for children aged 8-14. Come and work your way through the ranks for the honour of someday being called a Knight of the Order of the Iron Helm. Swordplay, polearms, archery, virtues, courtly grace and heraldry are just a few of the exciting things you will learn during a week you'll never forget!

$299 + HST per child, per week

 

Cane and Stick Fighting on FencingClassics.com

I've just discovered a new resource called The Secret History of the Sword: Fencing Classics where J. Christoph Amberger shares his research and insights.

First, Some Prose

I would love to reprint this passage, as Amberger did... but since he did, I don't have to. Please visit this link for a passage from Dashiell Hammett's 1924 Nightmare Town. You'll remember Hammett as the author of The Thin Man and The Maltese Falcon

Then, Some History

This little lesson in self-defence with a walking stick comes from F.C. Christmann

Chr1

DEFENCE WITH A STICK AGAINST ONE WITH A NATURE OR EDGED WEAPON

Against a high inside cut, execute a Prime or Contra-Tierce Parade with an advance, lunge, etc.. Grasp the wrist of the opponent from the inside or outside, and then hit him across the head, chest, etc. (see figure 5)

Against a high outside cut, parry with a forceful Tierce Parry, with advance or lunge, his wrist from the outside and hit him where you like. Instead of the the Tierce Parry, one can do a ramassierende tierce, and cut into the opponent’s opening. (see figure 9)

After the tierce parry, after advancing or lunging behind his right heel, you can also grasp him by the collar, or throw him to the ground with a beat of the hand’s edge into his throat, after which you can do as you like.

Against a low outside cut, advance with a Seconde parry, grasp your opponent’s wrist from above, and cut or thrust as you like. (see figure 11)

Against a low inside cut, execute a parry Prime-Coupée with a volte right and cut or thrust as you like.

Against one who attacks you with a sword cane or such in the manner of thrust fencers, (…) we can execute a jump or Volte backward as he thrusts and hit at the same time across his arm or wrist.

Many parts of this advice are reminiscent of Bartitsu maneuvers, especially the last, which is an exact description of the "guard by distance".

And Some Art

For those who are unclear about the English cudgel and how it is fundamentally different from single stick or cane fighting, and closer to basket-hilt broadsword, heres's little pic:

Leather-cudgel

Source: http://fencingclassics.wordpress.com/2009/01/08/leather-hilted-singlestick-britain-c-1900/

Bartitsu Workshop

This Saturday's Introduction to Barttisu: Fight Like Sherlock Holmes workshop is full, but you can sign up for next month's installment on 25 February 2012. Contact Academie Duello for details soon, because they fill up fast.

Filed under  //   bartitsu  

The Princess Bride is NOT being Remade. Phew!

If you heard a rumour that the Princess Bride was going to be remade
by the director of Juno, you'll be relieved (or god forbid,
disappointed) to hear that it was a fabrication of overactive Internet
imaginations. More can be read on TNT Magazine here -
http://www.tntmagazine.com/entertainment/film/princess-bride-remake-rumours-h...

So are you happy or disappointed about the news? Would the Princess
Bride benefit from a remake? Could a remake perhaps expose a whole
new generation to the wit and fable that so many of us enjoyed in our
youths?

What do Horses Need?

Like all mammals, equines have three core needs: food, shelter, and security.  In the grasslands of Eurasia where the modern horse evolved these needs were met quite differently than they are for most domesticated horses today.  A wild horse lives in a herd, travels many miles each day, grazes constantly, and seeks shelter from whatever the sparse landscape may offer.  A domestic horse may live on pasture, in a paddock or in a stall, is fed a set number of times a day, and may or may not live with other horses.  In the next three posts I'll be looking at how we meet our animals' needs, and the compromises between the ideal and the practical necessary when keeping horses.

Food

Food

Forage

The horse is designed to spend most of its day eating.  In the wild, forage is often scarce and dry, meaning the horse must cover a lot of territory (thereby getting excercise) and consume a lot of low-calorie food to get enough energy.  Our pastures, however, tend to be much smaller, greener and richer, so that a grazing horse gets less exercise and more calories in a day.  For some 'easy keepers' this is too much food, making the horse fat and prone to laminitis (also known as founder, the inflammation of the hoof leading to separation of the hoof wall from the foot, possible rotation of the coffin bone, and often permanent lameness).

A solution to rich pastures is to limit turnout, and feed hay, which is similar in nutritional value and roughage to dry wild grasses.  However, a horse kept in a small paddock or stall has even less opportunity to exercise, and will require some kind of exercise:  whether by riding, longeing or daily turnout.  Hay can be made from grasses such as timothy or brome, or legumes like alfalfa, or a mix.

The problem with feeding in a paddock or stall is that we often are only able to feed 2 - 4 times a day, depending on our human schedule.  This leaves horses with a lot of downtime to get bored and start chewing on paddock rails or otherwise making mischief.  It also leaves their stomachs empty for longer periods of time -- a situation they're not designed for -- making them more prone to ulcers.  Free choice hay is the ideal for horses who don't tend to gorge themselves.  Small opening haynets can also work well to slow consumption, although haynets can present other hazards, if improperly secured.

Grain

Aside from the seed-heads of grasses, horses do not encounter grain in the wild.  However, a horse that is in heavy work may require more calories than can be obtained by hay alone.  Oats, corn and barley are traditional horse feeds, and can be fed whole or 'flatted'.  Because they are high in starch these grains can also put some horses at risk of laminitis or Cushings disease, the equine version of insulin resistance.  Grains also tend to make horses 'hot', or flighty and energetic, which can be a problem for behaviour and safety. 

There are many pelleted feeds on the market designed to replace grain.  These have the advantage of sometimes being less starchy, and often have added nutrients that can make up for shortfalls in the local pasture or hay.  However, they provide even less chewing time than whole grain, and are just as easy to over feed.  With all grain, whether whole or processed, the rule of thumb should be to feed the minimum possible and monitor with care.

Succulents

While wild grass is dry, it's not as dry as hay.  Therefore horses who don't have access to fresh grass can benefit from a succulent feed every day to provide some of the vitamins found in fresh grass.  This is something as simple as a single carrot or apple, and is usually offered as a treat or reward.

Minerals

Hay can be analyzed to make sure all the necessary micronutrients are present, and most pelleted feeds are fortified to provide the nutrients such as selenium, zinc, copper, etc. that a horse would normally ingest with its varied diet in the wild.  Salt should be provided in the form of a block that the horse can lick at will.  However, some horses have no restraint and will consume a salt block in a matter of days, in which case, adding salt to their grain may be necessary.

Water

Water is the most vital of all feedsA horse will drink around 40 litres of water a day; more in warm weather or after heavy exercise.  If water in the pasture is provided from a stream it should be clear, fast-moving, and with a gravel bottom to prevent the horse from ingesting sand (which can cause colic).  Water buckets or troughs can either have auto-refill mechanisms or be refilled 2 or 3 times a day; and regardless of the refill method should be cleaned frequently and checked at least twice daily.  A horse without sufficient water can dehydrate or colic quickly.

Teeth

A further consideration is the condition of a horse's teeth.  Without constant foraging, horses teeth often grow faster than they are worn down, and dental care, as discussed in this previous post, is usually necessary to keep teeth working well.  An older horse may need special foods, like chopped hay or mashes to keep weight on.

The field of equine nutrition is complex and growing every day, but most horses do quite well with the above five points taken into account.

In the Riding & Horsemanship program level 1 participants learn basic feeding and care in lesson 3; levels 2 - 4 expand and go farther into the topic in lesson 1 of the series.

Next post: Shelter.

 

o o o

 

This week at the stables:

Riding & Horsemanship Class 2

These classes are for all levels and cover the information needed to progress through our Horsemanship levels, followed by a minimum 30 minute Riding session to help you work on your next level.  Horsemanship can be taken on its own.  There are limited riding spaces, so sign up early to ensure saddle-time.  If you missed class 1, it's not too late to start.

Sundays 10am - 1:30pm
15, 29 January, 12 & 26 February
location: Red Colt Equestrian Farm Co-op, 12320 No 2 Road, Richmond
cost: $60 per session; $200 for series of 4
Horsemanship only: $30 per session; $100 for series of 4

 

 

Open Barn & Work Party

By popular request there will be an Open Barn this weekend from 2-4pm.  This is an opportunity to meet the horses, work on your horsemanship, or pick up a sword and run through the progression.

There will also be a work party happening at the same time, so if you are inclined to pick up a hammer or shovel, your help will be gratefully accepted!

 

Next week at the stables:

Mounted Combat

In this class you will continue to work on your sword, spear and grappling skills from the ground, the falsemount and, for experience riders and swordsmen, from the horse.

Sunday 5 Feb, 1 - 4pm
location: Red Colt Equestrian Farm Co-op, 12320 No 2 Road, Richmond
cost: $60 each; $150 for 3 workshops

Remember you can sign up for both Mounted Combat and Riding & Horsemanship for the low price of $120 a month with our Integrated Training Package.

 

Intro to Mounted Combat

This is the place to get a start on all the skills needed for the Mounted Combat program.  The first hour is spent with an introduction to Horsemanship, followed by guided riding and swordplay basics.  Afterwards students join the regular Mounted Combat Workshop (above).

Sunday 5 Feb, 10am - 4pm
location: Red Colt Equestrian Farm Co-op, 12320 No 2 Road, Richmond
cost: $149

 

 

Filed under  //   Cavaliere   horsemanship  

Sword Press (Fencing Press Actually) From Around the World

Given the dearth of WMA related material available this week, I thought We’d take a look at some unique elements of what has fallen out of our Art – Olympic-style fencing.  Respects, Wes

 Everything Old is New Again

 FIRST COAST NEWS (Jacksonville, Florida) 15 January 12  Jacksonville Fencing Tournament Debuts 'Dagger Fencing'  (Jovi Irwin)

The 225 members the Jacksonville Fencing Club hosted the "Duel Til You Drop Tournament", an event during which the first Dagger Fencing Association (http://www.daggerfencing.com) tournament was held.

Using an epee and a dagger reminiscent of a ‘mini-me’ modern sabre, competitors spar ‘in the round’, and register hits using the latest in wireless technology.  Previous to this initiative, the sword cord necessary to monitor hits restricted modern fencing to a firmly defined back-and-forth ‘piste’.  I’m curious to see if the technology can be adapted in the future to the heavier WMA weaponry!

Of note, We were somewhat taken aback by the video in which one gentleman claimed that the Jacksonville competition was “first dagger event in history”!  HEMA (Historical European Martial Arts) teams have been running sanctioned, ‘international’ rapier-and-dagger events for years – and the workshops to go with them.  But then again, the problems with some news interviews is that one gets juicy quotes offered that are totally out of context to the rest of the (deleted) interview.

The DFA has one laudable goal however: "We hope one day dagger fencing will be the first Olympic sport to be non-gender specific, where women and men can compete equally," said David Falcon of the Dagger Fencing Association.

Video and photos at URL below:

http://downtownjax.firstcoastnews.com/news/news/70042-jacksonville-fencing-tournament-debuts-dagger-fencing

'Feel' the Distance

KWTV (Oklahoma City, Oklahoma) 16 January 12  Oklahoma Blind Fencer Hits Mark With Documentary (Darren Brown)

George Adams, an instructor at Oklahoma Sport Fencing, where classes for blind and low vision students are offered, is filming "Touché' The Movie", featuring blind fencer Catherine Bolton and the participants in a visually impaired fencing tournament.

"The tactile information you can gain from a blade is very similar to the tactile information you can gain from a cane," said Oklahoma Sport Fencing-owner Carolyn Gresham-Fiegel.

"When you think fencing, you don't correlate it with blind people," said Bolton. "I just wanna show that hey, it can be done."

Regardless of who is holding the blade, some things never change.  In the video, there’s a line that all fencers, historical and modern, sighted and blind have to take to heart: “The fencer must be aware of distance …”.

Video and photos at URL below:

http://www.newson6.com/story/16531282/oklahoma-blind-fencer-hits-mark-with-documentar

'See' the Distance

CORE 77 DESIGN MAGAZINE (New York, New York) 17 January 12  Fencing Finally Filmed the Way it Should Be (Dave Seliger)

Olympic-class fencer and film maker Holly Buechel has created an “absolutely gorgeous fencing short” that highlights some of the ‘poetry in motion’ aspects of using a blade.

We were perplexed however, by Mr Selger’s editorial comment of: “Although spectators never see fencing at this speed, fencers often see their opponent's actions in slow-mo”.  It’s been Our modest experience that Our opponents move at double, if not triple real-life-speed!

Video and photos at URL below:

http://www.core77.com/blog/videos/fencing_finally_filmed_the_way_it_should_be_21550.asp

 

Posted January 23, 2012 by email 

Bartitsu 21-Jan-2012

This week in Bartitsu:1. Review of Boxing: straight punches, dynamic motion

2. Jujitsu Lesson: entry to standing holds
3. Integration: chancery and escapes

See you at 3pm!

Disappointment Abounds! Workshops Are Full Next Weekend!

"If we are quiet and ready enough, we shall find compensation in every disappointment." - Henry David Thoreau

Unfortunately both of our workshops next weekend are already at capacity!:

Intro to Bartitsu

Saturday, January 28, 2012 1pm-5pm

Learn the mixed martial art of the Victorian English Gentleman. In this four-hour workshop, you'll acquire the essential Bartitsu skills of Boxing, Jujitsu, Savate and Cane fighting:

- the basic punches of scientific boxing and the first defensive moves of pugilism

- the first throw from jujitsu and how to land without hurting yourself when thrown

- the foundations of walking stick self-defence, and the essential kicks of savate

This Introduction to Bartitsu is a pre-requisite for the ongoing Bartitsu class. We want all newcomers to the weekly class to have some familiarity with the core techniques, and to get some practice in an easy environment where all of the students are learning the skills together.

So, whether you're interested in studying Bartitsu on an ongoing basis, or if you just want to learn the essential elements, the Introduction to Bartitsu covers the fundamentals. Fun and self-defense without getting your spats dirty!

Instructor: David McCormick

$60 (15%off for members)

Beginner Archery

Sunday, January 29, 2012 10am-4pm

Beginner Archery will cover the basics of archery using a recurve bow; including correct stance, the Y grip, proper breathing and the three finger draw and release technique. Also covered will be: the names for parts of the bow, arrows and archer's kit, bothmodern and historic, as well as the archer's vocabulary. A comprehensive lesson about different bows; their uses and place in history will be given.

Instructor: Patricia Gonsalves

$120+tax (15% off for members)

We have another Intro to Bartitsu workshop on Saturday, February 25, 2012 and we'll have another Beginner Archery workshop scheduled very soon, never fear!